Haruo Nakajima: differenze tra le versioni

*Lavorare su ''Il re dei mostri'' mi risultò più facile. Il costume di Godzilla fabbricato per quel film fu fatto apposta per me, mentre quello fatto per ''Godzilla'' non era della mia taglia''.'' L'aspetto più difficile per me nel lavorare in ''Il re dei mostri'' fu quando facevamo le riprese della scena finale. Dovevo stare al centro del set mentre mi rovesciavano addosso un enorme quantità di ghiaccio tritato.

:''Working on GODZILLA RAIDS AGAIN was easier for me. The Godzilla costume that was built for the movie was made to fit me, whereas the one that had been built for GODZILLA – KING OF THE MONSTERS had not been made to fit me. The most difficult aspect of working on GODZILLA RAIDS AGAIN for me was shooting the ending. I had to stand in the middle of the set while a large amount of crushed ice came tumbling down on me.''<ref name=nakajima/>

:''I controlled [Rodan's] wings with my arms. While we were shooting the scene in which Rodan flies over the bridge in Saikai Village in Kyushu, the pulley from which I was suspended broke. I fell from a height of twenty-five feet, but the wings and the water, which was about one and a half feet deep, absorbed much of the impact.''<ref name=nakajima/>

*Era utile per me studiare solo i movimenti delle specie grandi. Al contrario di Godzilla, Varan, eccetera, le specie più piccole si muovono molto velocemente, quindi era inutile per me studiarli.

:''It was helpful for me to study the movements of only large species. Smaller species, unlike Godzilla, Varan, and so on, move very quickly. So, it wasn't helpful for me to study them.''<ref name=nakajima/>

:''Playing Godzilla for GODZILLA – KING OF THE MONSTERS was very difficult. Playing Rodan also was difficult because the legs of birds, unlike those of human beings, bend backward.''<ref name=nakajima/>

*Ho basato la coreografia che ho fatto per ''Kong, uragano sulla metropoli'' sulle tecniche dei lottatori professionali. Credo che il risultato sia stato buono.