Differenze tra le versioni di "Klaus Kinski"

:''Herzog is a miserable, hateful, malevolent, avaricious, money-hungry, nasty, sadistic, treacherous, cowardly creep. His so-called "talent" consists of nothing but tormenting helpless creatures and, if necessary, torturing them to death or simply murdering them. He doesn't care about anyone or anything except his career as a so-called filmmaker. Driven by a pathological addiction to sensationalism, he creates the most senseless difficulties and dangers, risking other people's safety and even their lives – just so he can eventually say that he, Herzog, has beaten seemingly unbeatable odds. For his movies he hires retards and amateurs whom he can push around (and allegedly hypnotize!), and he pays them starvation wages or zilch. He also uses freaks and cripples of every conceivable size and shape, merely to look interesting. He doesn't have the foggiest inkling of how to make movies. He doesn't even try to direct the actors anymore. Long ago, when I ordered him to keep his trap shut, he gave up asking me whether I'm willing to carry out his stupid and boring ideas.'' (p. 222)
 
*Nessun estranoestraneo può immaginarsi la stupidità, l'isteria boriosa, l'autoritarismo, e la noia mortale nel girare un film per [[Billy Wilder]].
:''No outsider can imagine the stupidity, blustering hysteria, authoritarianism, and paralyzing boredom of shooting a flick for Billy Wilder.'' (p. 299)
 
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